By
I. M Soqaga
An award winning female African writer Ellen Banda-Aaku is one of the
preeminent female literary figures who continue to produce resounding
literature in Africa. Her writing prowess
is engrossing - transporting literary aficionados to the realms of ecstatic excitement. Candidly, her enormous contribution in
literature is explicitly riveting.
It is gratifying to see a
writer especially a woman African writer demonstrating her literary prowess with
such colossal zeal. Despite the fact
that she began her literary journey late at 30s in her life, however what is generally
amazing is how she managed to blossom rapidly in literature. In a noteworthy interview she
expounded that “I saw a call for submissions for writers for children so I put
something together and submitted. It was
my first writing and it got published by Macmillan publishers as a winner of
the Macmillan Writer’s Prize for Africa.”
In Ellen, Africa can see a noble favour
as she was not tentatively being allured by procuring literary Prizes, but
instead she realised her potential knack and aspirations, hence she is proliferating
as an excellent writer. If one will
ponder her academic rung which is equally impressive, one will flimsily ponder as to why Ellen could not be overweening probably to indulge in hedonistic
lifestyle and enjoy her academic achievement like many academic do. Nevertheless, the opposite is that Ellen
Banda is the versatile female African writer who is imbued with ardent love for
literature.
This of course it must be a huge-imperative lesson to many people of Africa and the world. In particular Africa cannot anticipate a situation where literature is totally absent. The question which Africans must always be concern about especially about literature is how books and writers must be produced. Africa need writers who will make sure that its people are absolutely attached to the artistically pulchritude of literature. It cannot make any practical sense for any writer emanating from any nation in the world to write outside the confine of his/her country. Obvious, Ellen Banda deserved credible recognition by the sterling work she is doing in particular in diffusing literature in Africa through workshops that buttresses creative writing.
This of course it must be a huge-imperative lesson to many people of Africa and the world. In particular Africa cannot anticipate a situation where literature is totally absent. The question which Africans must always be concern about especially about literature is how books and writers must be produced. Africa need writers who will make sure that its people are absolutely attached to the artistically pulchritude of literature. It cannot make any practical sense for any writer emanating from any nation in the world to write outside the confine of his/her country. Obvious, Ellen Banda deserved credible recognition by the sterling work she is doing in particular in diffusing literature in Africa through workshops that buttresses creative writing.
To emphasise, many African writers who
produced quintessential literature generated their works in African
context. As the concentration here is
based on female African writer (Ellen Banda), Africa and the world need to be
essentially informed that writers of the calibre of Miriam Tlali, Bessie Head,
Zulu Sofola, BuchiEmechete, Ama Ata Aidoo, Grace Ogot, Mariama Ba etc writes
for Africa and the world. Therefore, it
is not harrowing but rather exciting to see another brilliant generation of
female African writers continue to write considerable for Africa and the
world. I speak about Chimamanda NgoziAdichie,
Noviolet Bulawayo, Aminatta Forna etc.
Moreover, lot can be mentioned and
expounded about African female literary wordsmith. To recall Tsitsi Dangarembga has been splendid
in producing appealing literature. In
his essay titled “Two great Zimbabwean female writers” Peter Moroe a literary
critic who has published several articles on black African literature
wrote with an outstanding glee about two female Zimbabwean African writers
“Tsitsi Dangerembga and Yvonne Vera. His
essay is array systematically as he based his concentration on each writer
respectively. Moroe informed the world
that apart from Tsitsi literary achievement such as being involved in drama and
publishing a play called “She Does Not Weep.”
It was however her superb novel, Nervous Conditions that made her world
famous; winning her the African section of the Commonwealth Writers Prize in
1989. The book was the first (English
novel) ever written by a black Zimbabwean women.
On Vera, Moroe highlighted that “It is
thus no surprise that Vera’s works continue to be studied and celebrated in
literary circles world wide. It is
generally agreed that she never shied away from writing about so-called “taboo”
subjects. She had a strict writing
regimen which she adhered to, and in all senses of the word she could be called
a “professional writer.”
Significantly, since from the onset,
Africa has been gifted with the number of extraordinary female writers and
Ellen Banda constitute pivotal part of those veritable writers who over the
years writes bydisplaying great erudition in their works. Born in UK but her fame and literary works flourish
in Africa, she is a very conversant African women writer who travelled and
studies in many African countries.
Essentially, she is the writer of children books, short story writer and
novelist-very fond to children and she has garnered prestigious awards including
the accolade for her magnum opus novel “Patchwork”.
Novels
·
Madam 1st Lady, 2016.
Short stories
·
"Sozi’s
Box" (winner of the 2007 Commonwealth Short Story Competition). Published
in Cousin’s Across the Seas, Phoenix Education, Australia. ISBN 978-1-921085-73-4
·
"Lost",
in Jambula Tree and other stories, The Caine Prize for African Writing, 8th Annual Collection, Jacana Press, South Africa. ISBN 978-1-904456-73-5
·
"Made of
Mukwa", in The Bed Book of Short Stories, Modjaji Press, South
Africa. ISBN 978-1-920397-31-9
·
"Ngomwa",
in African Women Writing Resistance: Contemporary Voices, Wisconsin
Press, USA. ISBN 978-0-299-23664-9
Books for children
·
E is for e-waste, Worldreader, online publication.
·
Sula and Ja, FarafinaTuuti (Kachifo Limited) and Worldreader.